Our Bodies, Our Bikes: Part One

Ms. Elly Blue, femininst bicycle zinester and awesome small-press publisher, invited me to create the cover for her upcoming book, Our Bodies, Our Bikes. (Just a few days left to fund the project!)

We agreed that it would be inspired by the awesome tricks that bike dance groups like the Sprockettes and the Derailleurs perform.

Having a team of people engaged in the same pose was a great opportunity to allude to diversity of experiences in the book.

Not to mention the themes of interdependence and the importance of supporting each other.

Progress! But wait, is this looking to static? Too well-balanced? Do we need more dramatic tension?

I suggested a twist of Nude Descending a Staircase. Elly suggested a dose of Laocoön. Oh hey, says I, there's this neat French statue of Hercules wrestling a giant snake at the Portland Art Museum right now. Field trip!

Sketched while the baby was awake...

...and then sketched when the baby finally fell asleep.

With that inspiration, the bicycle acrobats are revisited.

Feather boa stands in for the snake, of course. Better! A future post will have the color version--stay tuned.

Turkey Dioramas

As I worked on the Mushroom Festival poster this year, I found myself wresting with the relative scale of things. Turkeytail mushrooms are about 7 cm wide, while a wild turkey is at least a meter long. How best to show them both in one image, knowing that the smaller mushrooms need to be the center of attention?

I took a sheet of foam core and cut out a tree branch and a turkey approximately to scale, and then covered the tree branch with paper mushrooms. Then it was diorama time in the front yard!

 

Even with crude, out-of-focus photos, this exercise helped me a lot with my experiments in composition. From there, I did a few very rough color mock-ups of possible poster layouts in Photoshop.

Sending these rough ideas to the festival committee, the response was overwhelmingly positive for the three-turkey parade in the distant background of the tree branch. Hurrah! Next post, I'll go into the details of how I took that crude scribble and turned it into the final poster art.

Scribbles from the Past

We're doing some house-cleaning and rearranging of late, and as I go through notes from old illustration projects I'm finding some amusing memories in the mix. Scanning a handful to share here!

This was an illustration project for a paleontology exhibition at the San Bernardino County Museum. The early sketch here is just exploring the general look of brown with white highlights on parchment-toned paper. For some reason I'm totally charmed by this early doodle.

From the good old days when I was drawing a lot of fossilized rodent teeth under the microscope! I focused on projects like these for about two years as an undergraduate, and occasionally revisit that subject matter when researchers start knocking at the door. Something about the simplicity of this pencil sketch, with the grid marks helping me keep in all in scale and the light touch on the shading, makes me happy.

Another undergraduate doodle, again with the rodent teeth (this time it's the chewing surface of a tooth from a vole). Once the graphite draft gets all worked out, I'd do the final illustrations in ink on plastic film with a steel-nib pen dipped into a jar of ink, totally old-school. Each of the little wriggly lines on this scrap is me testing the pen after a fresh dip into the ink to make sure it's not going to leave a big ink blot . (I suspect that's why the partially finished drawing here was turned into a test-scrap--blob attack!)

None of these scraps of paper are terribly important, really; but it's sure fun to look back at them and remember the experience of building up to the final illustrations, scribble by scribble. 

T-Shirt Ideas

The poster design for the Wildflower Festival always gets converted into a t-shirt design as well. I often find that starting with a simplified set of colors that would translate well to screen printing helps me make some of the big decisions about tone and contrast, which then inform the more elaborate art for the poster. Here is a record of the day's experiments! * El diseño para el cartel del Wildflower Festival siempre se convierte en un diseño para camisetas, también. Para mí, trabajar con colored limitados que se traducen bién a serigrafía es útil para hacer los decisiones fundamentales sobre el tono y el contraste, lo que guía el arte mas detallado del cartel final. ¡Aquí hay mi documentación de los experimentos de hoy!