National Musem of Natural History

On this recent visit to the Smithsonian Institute, most of my time at the Natural History museum was spent in the lectures about Mark Catesby. But we did get a chance to scamper through the fossil displays at the lunch break. * Cuando visité el museo de historia natural del instituto Smithsonian, pasé la mayoría de mi tiempo en el simposio sobre Mark Catesby. Pero sí logramos una visita muy rápida a los fósiles enormes, durante el almuerzo.

Fossils of a glyptodont, an ancient antelope, and a nautilus. White pencil on black paper, 2012. * Fosiles de un gliptodóntido, un antílope anciano, y un nautilino. Lapiz blanco en papel negro, 2012. 

Skull of Xiphiacetus, an ancient dolphin. White pencil on black paper, 2012. * Cráneo de Xiphiacetus, un delfín anciano. Lapiz blanco en papel negro, 2012.

 
In 2002, I spent part of the summer among these exhibits: the microscope I needed to draw tiny details of fossil leaves was located in the "Fossil Lab" exhibition space, so hordes of tourists watched me through a big glass wall as I worked! It was neat to relive all the memories of working in that museum. (Looks like the same microscope is still in the same place, too.) * En el año 2002, pasé la mitad del verano trabajando entre estos fosiles: el microscopio que usaba para dibujar hojas de arboles ancianos estaba en la exhibición del "Laboratorio de Fosiles." Así que miles de turistas me miraban mientras que estaba dibujando, tan fijamente como miraban a los restos de los animales extintos. Era lindo visitar mi microscopio otra vez--¡todavia esta en el mismo lugar! 

Sketch of my old NMNH staff ID card. Pen and colored pencil on blue paper, 2002. * Dibujo de mi tarjeta de identificación para el Museo Nacional de Historia Natural. Tinta negra y lapices de color en papel azul, 2002.

300 Years of Mark Catesby

My recent trip to Washington DC was triggered by an interesting day of free lectures. Mark Catesby was a scientist and an artist who published one of the first books about plants and animals of North America, Natural History of Carolina, Florida and the Bahama Islands, starting in 1729. As it turns out, he was heavily influenced by another favorite illustrator of mine, Maria Sybilla Merian--no wonder I like his work so much.

I met up with my wonderful friend Ikumi Kayama for the day of lectures at the Smithsonian's National Museum of Natural History. The topics included techniques for drawing, printing, bookbinding, and self-publishing in the 18th century, as well as the science behind the plants and animals depicted in Catesby's amazing two-volume work.

It was eye-opening to learn that after 4 years of gathering research, the book itself took 20 years for Catesby to produce. He didn't have funds to hire a professional engraver, so he engraved all the plates and hand-painted them each afterwards.

We were entertained by some of the strange myths that other science books of the time were publishing about wildlife in North America: the idea that turtles can hunt by slamming shut their carapaces on neck of a snake to chop its head off; or the idea that rattlesnakes can hypnotize a squirrel and make it run down a tree right into the snake's mouth, for example.

We were thrilled to look at an actual copy of one of the original books after the lectures wrapped up. A very exciting day for me, all told!